I honestly wish it could have been better, but redemptively, it was an honourable failure. To me, it just felt to me like a bunch of stuff i'd seen from some of the classic horror movies mashed in with one interesting premise. A group of five college graduates rent a cabin in the woods and begin to fall victim to a horrifying flesh-eating virus, which attracts the unwanted. This was the first of the sequels to Eli Roth’s modest horror hit Cabin Fever (2002). I think its designed brilliantly and has an environmental message, and I admire Roth's aspirations to not skimp on gore or sex, but it was unnecessary to the plot. But in the end it's interesting twist to the typical cabin in the woods story doesn't fully make it work. But as they sit at their campfire the first night, a blood-soaked hermit approaches them. Another thing I loved about the movie is the look. Five college friends head off to the woods for a weekend of drinking, partying and fooling around. Going into the movie I wasn't expecting much, but as soon as it ended I was very impressed. There was also very few shocks, and once I adjusted to the carnage, consequently, it wasn't that scary. The most experienced actor on the cast is Rider Strong (Boy Meets World). However he shows almost no creativity in Cabin Fever and for me he never demonstrated the extent of his talent. All this adds up to the construction of a cheesy 80's horror movie, which was exactly what Roth was trying to mimic. Especially considering the tiny budget it was made on. Firstly, the acting is much better than I expected it would be, and the gore is disgusting and boasts some pretty impressive bloody corpse special effects. But that's just damning it with very faint praise. Cabin fever patient zero fills cast crew center 2016 ending explained who all d in the film and other details hollywood news 14 surprising facts about mental floss momathon 2002 rotten tomatoes fetch publicity odd mity tale of eli roth s 25yl 3 review cryptic rock horror wiki fandom flesh eating virus strikes again new york times epix hit tv. Definitely Eli Roth's most inspired, and most substantial film.
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